Related Paintings of unknow artist :. | Panoramic Landscape with a View of a Small Town | St. Pakistan more than martyrdom in Rome | The Funeral of Miltiades | Portrait of a gentleman,three-quarter length,standing beside a table | Cock and Hen |
Related Artists:
Charles Farrer
1839-1891 English
Maximilien Luce
Maximilien Luce (March 13, 1858 - February 6, 1941) was a French Neo-impressionist artist. A printmaker, painter, and anarchist, Luce is best known for his pointillist canvases. He grew up in the working class Montparnasse, and became a painter of landscapes and urban scenes which frequently emphasize the activities of people at work. He was a member of the Groupe de Lagny with Leo Gausson, Émile-Gustave Cavallo-Peduzzi and Lucien Pissarro.
Vicente Carducho
(in Spanish, sometimes Vicencio or Vicente Carducho; 1568-1638) was an Italian painter. He was born in Florence, and was trained as a painter by his brother Bartolomeo, whom he followed to Madrid as a boy. He Initially painted some works at Valladolid and helped his brother in painting at the Escorial for Philip II of Spain. He returned to the court of Philip III in Madrid in 1606 and helped decorate the recently rebuilt Palacio del Pardo. While at work his brother died, and Vicente took his place. He painted there a history of Achilles. When finished, he was employed for four years by the monks of the Chartreuse of el Paular to decorate their monastery with 55 canvases of historical figures the great cloister. 27 represent the live of St. Bruno, 27 of martyrs. He worked a great deal for the subsequent monarch, Philip IV, and his best pictures are those he executed for him as decorations in the Prado. Examples of his work are preserved at Toledo, Segovia, and several other Spanish cities. For many years he labored in Madrid as a teacher of his art, and among his pupils were Giovanni Ricci, Pedro Obregon, Vela,[disambiguation needed ] Francisco Collantes, and other distinguished representatives of the Spanish school during the 17th century. He also authored a treatise, De las Excelencias de la Pintura or Dielogos de la pintura, su defensa, origen, essencia, definicien, modos, y differencias, published in 1633. Written in classical tradition as a dialogue between a master and an apprentice. Following strict piety of the Spanish realm,